Woman looks at planetary deities
Drugs aren’t the future of medicine — tiny electric implants are
And pharmaceutical companies seem to agree: for example, GlaxoSmithKline is investing billions in bioelectronic innovation, even offering a $1 million prize to the first team to create a device that can “read and write the body’s electrical language” – by which they mean influence an organ’s function using accurate electrical signals. The US government is also investing in the field through the $250 million SPARC initiative and the ElectRx programme.
Read more: http://mosaicscience.com/extra/bioelectric-dreams#ixzz3c3zj1BCQ
Temple Labyrinth by Sergey Grechanyuk
“Veritas Amara Libertas” - Truth is a bitter freedom.
Joint venture ➰ - 1, 2 … and 3 // #hybrid #construction #3dprint #render #drawing @hemilaaria by superarchitects http://ift.tt/1zPLsIE
Inside your head
Else by Wojtek Fus
J-Pants and Tail Tank by Isaac Penn
I’ve known Isaac for some time now and am constantly surprised by what he’s creating. Recently he made two pieces - one quite simple and elegant, and the other much more complex and aggressive. I love both pieces of course as they really fit in to my aesthetic scope. The curve of the pants gives them such an aggressive silhouette because of the mass amounts of stacking and texture created throughout the legs. On the flip side the tank is incredibly simple and even has many of the hems left raw to and uneven to evoke a sense of wabi sabi and a hand made feel. As always I’m looking forward to what the future holds for an intrepid young designer.
Asahara Sigheaki, Tokyo Lamp, for Stilnovo
“If it doesn’t make your eyes bleed, then it needs more saturation.”
A discussion with Halt and Catch Fire title sequence director Patrick Clair and animator Raoul Marks.
Watch the Halt and Catch Fire sequence on Art of the Title
Johnson Ting
First shots of Deus Ex: Human Revolution. This will always be one of my most favorite games. I have been meaning to shoot it for awhile but it’s more of a pain than anything else I’ve shot so far. I am having trouble getting the FOV control to work, but I think it’s because I have a patched version of the game. Unsure. Even if I never could do more than shoot static scenery, I have to admit, these shots are pretty damned pleasing.
I remember the first time I told someone about this game, and I mentioned it was a dystopia (I am such a sucker for dystopias) and that it took place in Detroit. Her eyes got big, and she said, “wait, a dystopian Detroit? Detroit is already dystopian!”
From Exposition Torino, 1971